NYT > Dance
New York City Ballet wants an artistic director, not another ballet master in chief. And a humane leader, too.
Watching Arushi Mudgal’s program, our critic began to feel that no other dance forms match the classical ones of India.
Popmaster Fabel improvised this solo for us: “I’m basically freestyle popping — Electric Boogaloo style, and some other techniques that I’ve learned along the way.”
A Mark Morris world premiere, part of the Mostly Mozart Festival, is awkward and has much less to say than the Schubert work it’s paired with.
At an annual dance camp, Norma Miller, 98, is a direct link to the history of the Lindy Hop, a dance craze born in Harlem in the 1920s.
Our chief dance critic shows us the ways this master choreographer put modern, idiosyncratic twists on gender and love in “Love Song Waltzes” (1989).
Ms. Childs’s “the day,” featuring the ballet star Wendy Whelan and music by David Lang, is one of the works to inaugurate the upstate New York center.
The Vail Dance Festival presented new works by Ms. Peck, a first for her; Pam Tanowitz, Justin Peck and a collective led by Michelle Dorrance.
For “Paramodernities,” Ms. Yerushalmy is deconstructing works by six canonical choreographers, including Alvin Ailey and Bob Fosse.
Artists tackled new idioms, developed partnerships and worked on choreographic premieres at the festival’s core presentations.
After a festival our critic wonders: Does the mobile dance film advance the art of choreography or of dance on film?
The return of a titan of Latin pop, a dance festival with a view of the Statue of Liberty and a thriller from USA Network.
A chain of duets by Janis Claxton Dance, part of Lincoln Center Out of Doors, has an engaging naturalness but a sameness problem.
Some performance spaces in New York are reminding viewers that the work they see is being performed on Indigenous land.
Watch Crystal Serrano and Da’Von Doane in a portion of Mr. Garland’s “New Bach,” created for Dance Theater of Harlem in 2001.
“Uptown Bounce” was the first of four consecutive weekly block parties presented by El Museo del Barrio and the Museum of the City of New York.