NYT > Dance
Our latest installment in the Instagram series #SpeakingInDance features Parisa Khobdeh in Paul Taylor's dance.
A photo of “Watermotor” encapsulates the timeless wit and playfulness of a dancer and choreographer.
The center is seeking visas for several artists with Syrian passports for Mohammad al-Attar’s “While I Was Waiting.”
The company celebrates its 30th anniversary season with three works: “Folded,” “ReComposed” and “Possession.”
Our critics review recent performances around New York at Danspace Project, the 92nd Street Y and New York Live Arts.
Paul Taylor American Modern Dance’s program featured all three titans together for the first time. Would it be good? Our critic says, “The whole program shone.”
Ms. Brown’s choreography, showcased primarily in New York, helped shape generations of modern dance creators into the 21st century.
Excerpts from interviews with collaborators, including Mikhail Baryshnikov, Terry Winters and Laurie Anderson.
Women composed a triple bill, “At This Dance, Women Take the Lead,” with Ms. Bouder’s troupe; and Wendy Whelan moved further from ballet at the Joyce.
Paul Taylor American Modern Dance is presenting a program featuring these three groundbreaking modern choreographers.
Alexei Ratmansky’s “Whipped Cream,” performed by American Ballet Theater, turns frothy nonsense into inspired enchantment.
Two short operas staged by the choreographer — Britten’s “Curlew River” and Purcell’s “Dido and Aeneas” — show gestural vocabularies meeting music.
Our latest installment in the Instagram series #SpeakingInDance features Laurel Lynch in Mark Morris's dance.
It was the first time a president has called for ending the endowments, which were created in 1965 under President Lyndon B. Johnson.
In addition to Mr. Morris’s modern work, the lineup includes Richard Alston’s “Sheer Bravado” and Nacho Duato’s “Por Vos Muero.”
The Edinburgh International Festival runs from Aug. 4 through Aug. 28 at various venues in that city.
Jean-Pierre Frohlich of the New York City Ballet talks about teaching “The Cage,” a stylized Jerome Robbins work, to the Bolshoi dancers.
The 2017 festival at City Center has been dominated by women — and has a standout in Patricia Guerrero.
Our chief dance critic on premieres at the Paul Taylor American Modern Dance season, including new works by Mr. Taylor, who is still prolific at 86.
Mr. Ratmansky has reworked “Whipped Cream,” a barely known ballet with a score by Strauss, for American Ballet Theater.
The former New York City Ballet dancer’s new work combines postmodern movement and the Higgs boson particle.